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When Morrissey Finally Dies (EP)

by Champion Leader

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1.
ABSTRACT: The author explores the relationship between his own life and that of Steven Patrick Morrissey, famed singer for the band The Smiths and of a similarly illustrious solo career. The author explores the liminal space between life and death, between singer and fan, and observes his own potential for grief in the face of an intangible loss. The author interweaves the mystical (prayer) with the practical (the lives of both singer and fan) in the effort to set down a future-as-now narrative. Pain and joy are offered as the potential result of the working out of these converse planes. LYRICS: Punctured bicycle, rusts in the slough of despond Sign posts he made famous are now misaligned They’re better left laying where they lie But who will replace the stars in our eyes? When Morrissey finally dies When I was kid, he made a brave sound But when we both grew old, he seemed so alone “Well-read”, I suppose, is how he would like to be known But what I want to know is will three words on a headstone suffice? When Morrissey finally dies He was healthier than he ever let on// But in the end his body let him down, Oh! His sickness was one of the heart// The legend of the young man gone soft Who will now rearrange the furniture? He backed his way into the future Was he “one with the younger ones”? No one thought his time would ever come When Morrissey has finally GONE! No! Mic stand is stable, whip crack the cable The songbird of Man-city, young blue eyes When Morrissey finally dies... Clock on the wall, [the] hour’s come ‘round Cummings, Stevens, Williams, and Pound I wear black on the outside: it’s my vocation When his time comes, I’ll pray for his salvation When Morrissey finally dies When Morrissey Finally dies When Steven [Patrick] Morrissey finally dies
2.
ACTION ITEMS: 1) Call everyone you know and wish them well 2) Deep, cleansing breaths 3) Write Mother a letter 4) For no reason, try another direction 5) Manifest Destiny? 6) Graveyards! 7) Set clock forward one hour, and then sleep late LYRICS: Like a ghost above the ground A hungry ghost floats, a mist on the shore And in that pale exterior A heart beats in a red contrary air Our hands are tied The ties that bind Rebound, Doctors unwind Tears in the waiting room There’s no getting through I’ll hide I’ll hide away Like a Lost Boy A Lost Boy afraid All these cupboard loves All these closet fears I slay the beast Pull the curtain and find nothing here Our hands are tied These doctors in white Descend with bread and wine Friends in the waiting room pray that I’ll wake soon Are your hands tied? Are my hands tied? Are our hands tied?
3.
Strange Cars 05:05
STUDY QUESTIONS: 1) Are "Careless Hands" related to "Careless Whispers"? Cite three reasons for or against such a relationship. 2) Where does the song go when you are not singing it? Discuss. 3) Admit that you are unsure what the phrases "make believe" and "fake love" have to do with anything. Don't you feel better? LYRICS: Pass the drinks Careless Hands in the air It’s all make believe It’s fake love Let’s try to Care Sunday parties we love Can be ours for a song All those parties that we love Can be ours for a song We were made in a Garden and stripped of our robes We were made in that Garden But everyone knows That we are children who get into strange cars We are like children who get into strangers’ cars We were born in a garden We were born in a garden I raise my hand too quickly and lift the crystal to the light I try to drink too swiftly, lift the crystal to the light We are children!

about

Three unrelated songs which are not intended to either correlate or interweave a single narrative.

They offer several distinct questions:

1) What happens to us when our heroes die? What comprises a "hero"?

2) What binds us in this life, preventing us from doing what is truly and objectively good and right?

3) Do we each, as individuals and as a corporate humanity, take responsibility when we —intentionally or unintentionally— do foolish and self-destructive things? What effect do my sins have on the world?

credits

released November 20, 2017

Recorded and produced by J. Bozeman
at The Office
(Which Is Really An Office)
Beaufort, SC

Summer and Fall of 2017

Cover Art: "A Swayed Head" by J. Bozeman

All songs by J. Bozeman/Champion Leader Music © 2017

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Champion Leader Beaufort, South Carolina

J. Bozeman, of Luxury and They Sang As They Slew makes music under the borrowed moniker "Champion Leader", which itself is a name given to Mary the Mother of God.

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